Cornelia Kallisch, mezzo-soprano Siglind Bruhn, piano. Maurice Ravel: Histoires Naturelles, Modest Mussorgsky: Songs and Dances of Death.
Paul hindemith ludus tonalis series#
Since 2000, series editor of the book series "Interplay: Music in Interdisciplinary Dialogue" published by Pendragon Press.Sonic Transformations of Literary Texts: From Program Music to Musical Ekphrasis.Voicing the Ineffable: Musical Representations of Religious Experience.
Encrypted Messages in Alban Berg's Music.ISBN 978-1-57647-318-4Įssay collections as contributing author: Debussy's Instrumental Music in its Cultural Context.Debussy's Vocal Music and its Poetic Evocations.Arnold Schoenberg's Journey from Tone Poems to Kaleidoscopic Sound Colors.(Second, completely revised edition in one volume.) Gorz 2014. Bach's Well-Tempered Clavier: In-depth analysis and interpretation. Frank Martin's Musical Reflections on Death, Pendragon 2011.
Messiaen's Interpretations of Holiness and Trinity: Echoes of Medieval Theology in the Oratorio, Organ Meditations, and Opera, Pendragon, 2008. Messiaen's Explorations of Love and Death: Musical Signification in the Tristan Trilogy and Three related song cycles, Pendragon, 2008. Messiaen's Contemplations of Covenant and Incarnation: Musical Symbols of Faith in the two great piano cycles of the 1940s, Pendragon, 2007. The Musical Order of the World: Kepler, Hesse, Hindemith, Pendragon, 2005. Saints in the Limelight: Representations of the Religious Quest on the Post-1945 Operatic Stage, Pendragon, 2003. Musical Ekphrasis in Rilke's Marienleben, Rodopi, 2000. Musical Ekphrasis: Composers Responding to Poetry and Painting, Pendragon, 2000. The Temptation of Paul Hindemith: Mathis der Maler as a Spiritual Testimony. Images and Ideas in Modern French Piano Music: The Extra-Musical Subtext in Piano Works by Ravel, Debussy and Messiaen. Guidelines to Piano Interpretation, Penerbit Muzikal Malaysia, 1989, ISBN 978-967-985-180-9. 2001 Elected Ordinary member of the European Academy of Sciences and Arts. Since 2007 she has been the musical director of an annual series of chamber music concerts in the Southwest German town of Waldkirch. In 1993 her book concerning Bach's Well-Tempered Clavier was published. During her first sabbatical (1993–1994), which she spent at the University of Michigan, USA, she was invited to join the university's Institute for the Humanities, where she is currently a Life Research Associate for Music and Modern Literatures / Music in Interdisciplinary Dialogue. Two years later she followed her husband, who had accepted a position in Hong Kong, and taught for six years at The University of Hong Kong. summa cum laude with an interdisciplinary dissertation in musical analysis and psychoanalysis. After another four years of teaching she enrolled in the University of Vienna and the University of Music and Performing Arts Vienna for doctoral studies 1985 Dr. In 1976-78 Siglind Bruhn wrote her first book, which links the pedagogical heritage of her teacher Horbowski with first attempts at her own research. During this time she met her future husband, the philosopher Gerhold K. Concurrently she read Romance studies, Comparative Literature, and Philosophy at Munich University 1976 Magister Artium (M.A.) with a thesis on the drama of Ramón del Valle-Inclán. She completed her studies in the master class of Vladimir Horbowski at the Musikhochschule Stuttgart 1975 State Examen (equivalent to a Master of Music) in piano performance and piano pedagogy. During the last two years before her high school graduation (Abitur 1970), she was a student in the piano class of Professor Eckart Besch at the Musikhochschule Hamburg. She made her first solo concerts and performances with orchestras as a soloist at the age of 14. Her father was the engineer Ernst Bruhn, her mother the interpreter Leonore Bruhn née Kieberger. Siglind Bruhn (born October 11, 1951, in Hamburg) is a German musicologist, writer and concert pianist.
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